1 00:00:01,396 --> 00:00:06,396 DOWNLOADED FROM WWW.AWAFIM.TV 2 00:00:06,396 --> 00:00:07,646 -MAN: We've got a body. -♪ (INTENSE MUSIC PLAYING) ♪ 3 00:00:07,646 --> 00:00:10,271 We've got at least six other murders with the same MO. 4 00:00:12,104 --> 00:00:13,771 DCI GABRIEL MARKHAM: If we could go back far enough, 5 00:00:14,271 --> 00:00:16,312 now we've got a good chance of finding this guy. 6 00:00:31,104 --> 00:00:32,438 -♪ (ROCK MUSIC PLAYING) ♪ -Rachel Sheridan. 7 00:00:32,438 --> 00:00:33,938 She gets paid to design black sites for Octagon. 8 00:00:33,938 --> 00:00:36,187 Let's find Sheridan and what she knows about Idrisi. 9 00:00:36,187 --> 00:00:37,646 Lila Hall, Sheridan's daughter, 10 00:00:37,646 --> 00:00:38,771 works in a bar part time. 11 00:00:38,771 --> 00:00:40,187 Maybe we could talk about your mother. 12 00:00:40,187 --> 00:00:41,938 Some very dangerous people are looking for her. 13 00:00:42,187 --> 00:00:44,896 Don't shoot! I'm with you! I'm the informant! 14 00:00:45,229 --> 00:00:47,187 -Volkan Horatio. -Call it in. 15 00:00:47,479 --> 00:00:49,062 -(GLASS SHATTERS) -♪ (MUSIC CONTINUES) ♪ 16 00:00:49,646 --> 00:00:50,980 Jensen's gone. It's a set up. 17 00:00:51,396 --> 00:00:53,021 COL. ADEENA DONOVAN: (OVER RADIO) Lowry may have turned Volkan. 18 00:00:53,229 --> 00:00:54,646 JANE LOWRY: Where's Rachel Sheridan? 19 00:00:54,646 --> 00:00:57,521 Project Tenebrae, that's the real enemy. 20 00:00:57,813 --> 00:00:59,980 Grab your stuff. Hey, I'm here to help. 21 00:01:00,271 --> 00:01:02,354 Sheridan, if Idrisi's alive we need to find out 22 00:01:02,354 --> 00:01:03,312 which black site he's in. 23 00:01:03,771 --> 00:01:05,229 -RACHEL SHERIDAN: There's a site controlled by... -Parker. 24 00:01:05,229 --> 00:01:07,312 Parker finds Idrisi alive, decides he wants to pump him 25 00:01:07,312 --> 00:01:08,563 for intel, so he hides him. 26 00:01:08,563 --> 00:01:10,312 It's an abandoned military complex, 27 00:01:10,312 --> 00:01:11,646 that's where you'll find Idrisi. 28 00:01:11,646 --> 00:01:13,146 LCPL. GRACIE NOVIN: (OVER RADIO) Arriving at last location. 29 00:01:13,646 --> 00:01:14,396 God. 30 00:01:14,646 --> 00:01:15,438 DONOVAN: (OVER RADIO) Move out fast, 31 00:01:15,438 --> 00:01:16,396 you've been compromised. 32 00:01:16,396 --> 00:01:17,563 (GUNFIRE) 33 00:01:17,563 --> 00:01:18,646 Everybody get down! 34 00:01:19,563 --> 00:01:21,312 SHERIDAN: I'm gonna try and lead them away. 35 00:01:21,312 --> 00:01:22,312 Rachel, wait! 36 00:01:22,646 --> 00:01:23,813 SGT. SAMUEL WYATT: Stay down. 37 00:01:23,813 --> 00:01:25,312 (GUNFIRE CONTINUES) 38 00:01:27,688 --> 00:01:29,312 NOVIN: Sheridan's in the wind ma'am. 39 00:01:31,062 --> 00:01:35,229 [engine revving] 40 00:01:35,229 --> 00:01:37,187 [alarm blaring] 41 00:01:37,187 --> 00:01:40,312 [gunfire] 42 00:01:41,688 --> 00:01:44,688 [haunting music] 43 00:01:44,688 --> 00:01:51,855 ♪ ♪ 44 00:01:55,646 --> 00:01:58,771 - Jawedan. 45 00:01:58,771 --> 00:02:01,146 - Can you walk? 46 00:02:01,146 --> 00:02:02,354 - I think so. 47 00:02:02,354 --> 00:02:04,521 [suspenseful music] 48 00:02:04,521 --> 00:02:06,104 [laughs] 49 00:02:06,104 --> 00:02:13,229 ♪ ♪ 50 00:02:14,146 --> 00:02:17,187 [dramatic music] 51 00:02:17,187 --> 00:02:24,271 ♪ ♪ 52 00:02:27,354 --> 00:02:29,021 [console beeping] 53 00:02:29,021 --> 00:02:36,104 ♪ ♪ 54 00:02:44,062 --> 00:02:46,104 [alarm blaring softly] 55 00:02:46,104 --> 00:02:53,271 ♪ ♪ 56 00:02:55,229 --> 00:02:58,104 - We need to go. 57 00:02:58,104 --> 00:02:59,730 Omair, we need to go. 58 00:02:59,730 --> 00:03:02,229 - My father... 59 00:03:02,229 --> 00:03:04,980 He gave this to me when I was 12. 60 00:03:04,980 --> 00:03:07,438 [coughs] 61 00:03:07,438 --> 00:03:09,813 Before he died. 62 00:03:09,813 --> 00:03:10,938 He-- 63 00:03:10,938 --> 00:03:12,271 [sputters] 64 00:03:12,271 --> 00:03:14,771 [retches] 65 00:03:14,771 --> 00:03:16,354 - Omair! 66 00:03:16,354 --> 00:03:18,104 Omair! 67 00:03:18,104 --> 00:03:21,479 - [distantly] Can you hear me? Omair! 68 00:03:21,479 --> 00:03:23,354 Omair! 69 00:03:23,354 --> 00:03:27,104 [ominous music] 70 00:03:27,104 --> 00:03:29,021 - Tell me about the terrorist cells 71 00:03:29,021 --> 00:03:30,479 in Nangarhar. 72 00:03:30,479 --> 00:03:31,938 Give me some names, 73 00:03:31,938 --> 00:03:33,396 locations, 74 00:03:33,396 --> 00:03:34,855 or we go again. 75 00:03:34,855 --> 00:03:37,730 - He's had enough. 76 00:03:37,730 --> 00:03:39,146 He keeps dying. 77 00:03:39,146 --> 00:03:40,479 We keep bringing him back. 78 00:03:40,479 --> 00:03:42,521 The human body can only take so much. 79 00:03:42,521 --> 00:03:43,813 - In a month, 80 00:03:43,813 --> 00:03:45,104 he hasn't given us a single piece 81 00:03:45,104 --> 00:03:46,813 of actionable intel. 82 00:03:46,813 --> 00:03:49,813 [disquieting music] 83 00:03:49,813 --> 00:03:52,896 ♪ ♪ 84 00:03:52,896 --> 00:03:54,646 We start again in an hour. 85 00:03:54,646 --> 00:03:56,021 ♪ ♪ 86 00:03:56,021 --> 00:03:59,146 [The Heavy's "Short Change Hero"] 87 00:03:59,146 --> 00:04:00,813 ♪ ♪ 88 00:04:00,813 --> 00:04:05,146 - ♪ I can't see where you coming from ♪ 89 00:04:05,146 --> 00:04:09,813 ♪ But I know just what you runnin' from ♪ 90 00:04:09,813 --> 00:04:14,062 ♪ And what matters ain't the "who's baddest" ♪ 91 00:04:14,062 --> 00:04:18,688 ♪ But the ones who stop you falling from your ladder ♪ 92 00:04:18,688 --> 00:04:24,604 ♪ Come on, feelin' like you're feelin' now ♪ 93 00:04:24,604 --> 00:04:29,021 ♪ And doin' things just to please your crowd ♪ 94 00:04:29,021 --> 00:04:33,855 ♪ When I love you like the way I love you ♪ 95 00:04:33,855 --> 00:04:37,646 ♪ And I suffer, but I ain't gonna cut you ♪ 96 00:04:37,646 --> 00:04:43,271 ♪ 'Cause this ain't no place for no hero ♪ 97 00:04:43,271 --> 00:04:48,021 ♪ This ain't no place for no better man ♪ 98 00:04:48,021 --> 00:04:54,521 ♪ This ain't no place for no hero to call home ♪ 99 00:04:54,521 --> 00:04:57,563 ♪ ♪ 100 00:04:57,563 --> 00:05:01,980 ♪ This ain't no place for no hero ♪ 101 00:05:01,980 --> 00:05:06,855 ♪ This ain't no place for no better man ♪ 102 00:05:06,855 --> 00:05:12,396 ♪ This ain't no place for no hero to call home ♪ 103 00:05:14,396 --> 00:05:17,521 - [gasping] 104 00:05:19,062 --> 00:05:22,062 [eerie music] 105 00:05:22,062 --> 00:05:29,229 ♪ ♪ 106 00:05:35,730 --> 00:05:37,938 [mildly tense music] 107 00:05:37,938 --> 00:05:39,563 - Sit-rep. 108 00:05:39,563 --> 00:05:40,938 - Clear. 109 00:05:40,938 --> 00:05:44,730 - We're at the last of Volkan's warehouses. 110 00:05:44,730 --> 00:05:46,354 - How're the boys doing? 111 00:05:46,354 --> 00:05:48,771 - McAllister and Wyatt are en route to the black site. 112 00:05:48,771 --> 00:05:50,062 You just find out 113 00:05:50,062 --> 00:05:52,104 what happened to Rachel Sheridan. 114 00:05:52,104 --> 00:05:54,312 - Copy that. 115 00:05:54,312 --> 00:05:57,396 [suspenseful music] 116 00:05:57,396 --> 00:06:04,479 ♪ ♪ 117 00:06:14,938 --> 00:06:16,229 Careful. 118 00:06:16,229 --> 00:06:17,813 Could be rigged. 119 00:06:17,813 --> 00:06:20,813 ♪ ♪ 120 00:06:20,813 --> 00:06:22,563 Clear. 121 00:06:22,563 --> 00:06:25,604 [mournful music] 122 00:06:25,604 --> 00:06:30,730 ♪ ♪ 123 00:06:30,730 --> 00:06:33,688 Jesus. It's Rachel Sheridan. 124 00:06:33,688 --> 00:06:40,771 ♪ ♪ 125 00:06:41,021 --> 00:06:43,187 Rachel Sheridan's dead. 126 00:06:43,187 --> 00:06:44,771 They've done a number on her. 127 00:06:44,771 --> 00:06:46,438 ♪ ♪ 128 00:06:46,438 --> 00:06:48,438 - We have to assume that Jane and Volkan 129 00:06:48,438 --> 00:06:49,479 got the location of the site 130 00:06:49,479 --> 00:06:51,479 and are coming for Idrisi. 131 00:06:51,479 --> 00:06:53,312 I have no other choice. 132 00:06:53,312 --> 00:06:56,312 [confrontational music] 133 00:06:56,312 --> 00:07:03,479 ♪ ♪ 134 00:07:04,021 --> 00:07:08,396 Your office told me where you were. 135 00:07:08,396 --> 00:07:13,021 There's a black site... 136 00:07:13,021 --> 00:07:14,688 in Klomino, Poland, 137 00:07:14,688 --> 00:07:18,104 paid for with a Special Operations slush fund 138 00:07:18,104 --> 00:07:19,438 and controlled by you. 139 00:07:19,438 --> 00:07:20,521 - You know I can't talk about 140 00:07:20,521 --> 00:07:22,521 this shit, Adeena. 141 00:07:22,521 --> 00:07:25,479 - Jane Lowry knows Idrisi's there. 142 00:07:25,479 --> 00:07:28,104 She took out Krieger, Sheridan, 143 00:07:28,104 --> 00:07:30,563 and now she's coming for him. 144 00:07:30,563 --> 00:07:31,938 - You're telling me that 145 00:07:31,938 --> 00:07:34,938 I have Omair Idrisi at this site? 146 00:07:34,938 --> 00:07:36,354 You are aware that I was the one 147 00:07:36,354 --> 00:07:38,354 who ordered the MOP strike on him? 148 00:07:38,354 --> 00:07:40,146 - Let's not waste time being cute. 149 00:07:40,146 --> 00:07:42,146 - Do you have any evidence or solid facts 150 00:07:42,146 --> 00:07:43,938 to support these ludicrous claims? 151 00:07:43,938 --> 00:07:46,104 - Your site is off the grid. 152 00:07:46,104 --> 00:07:47,438 That means that if anything happens, 153 00:07:47,438 --> 00:07:49,730 there's no backup, no reinforcements, 154 00:07:49,730 --> 00:07:51,396 so tighten your security. 155 00:07:51,396 --> 00:07:52,896 - You really want me to get on the phone to your people 156 00:07:52,896 --> 00:07:54,396 and tell them you're slinging around 157 00:07:54,396 --> 00:07:56,730 unfounded accusations like this? 158 00:07:56,730 --> 00:07:59,604 Jesus, Adeena, you'll be a laughingstock. 159 00:07:59,604 --> 00:08:01,938 - We're both on the same side here. 160 00:08:01,938 --> 00:08:05,563 Our intel is that Jane Lowry is going to the black site. 161 00:08:05,563 --> 00:08:08,062 That isn't going to change. 162 00:08:08,062 --> 00:08:09,730 We need to stop her. 163 00:08:09,730 --> 00:08:12,771 [foreboding music] 164 00:08:12,771 --> 00:08:19,896 ♪ ♪ 165 00:08:24,438 --> 00:08:26,354 Parker gave me nothing. 166 00:08:26,354 --> 00:08:28,688 I see no other option. Mission is a go. 167 00:08:28,688 --> 00:08:30,646 Get to Idrisi before Jane does, 168 00:08:30,646 --> 00:08:32,688 secure him, and bring him out, 169 00:08:32,688 --> 00:08:35,521 and if you run into her, 170 00:08:35,521 --> 00:08:37,146 don't leave her alive. 171 00:08:37,146 --> 00:08:38,688 ♪ ♪ 172 00:08:38,688 --> 00:08:39,646 - Copy that. 173 00:08:39,646 --> 00:08:41,396 [car engine revving] 174 00:08:43,312 --> 00:08:45,187 - Pretty regular sweep of guard patrols. 175 00:08:45,187 --> 00:08:47,604 - Now's a good time to go underground. 176 00:08:47,604 --> 00:08:50,604 [dramatic music] 177 00:08:50,604 --> 00:08:57,730 ♪ ♪ 178 00:09:22,980 --> 00:09:24,646 - It wasn't your fault, mate, 179 00:09:24,646 --> 00:09:27,938 what happened to Lila. 180 00:09:27,938 --> 00:09:32,229 - I know exactly what is and isn't my fault, McAllister. 181 00:09:32,229 --> 00:09:34,062 I'm just staying on mission. 182 00:09:34,062 --> 00:09:37,104 [eerie music] 183 00:09:37,104 --> 00:09:44,229 ♪ ♪ 184 00:09:47,021 --> 00:09:50,271 - What are you doing here? 185 00:09:50,271 --> 00:09:52,855 - Work. 186 00:09:52,855 --> 00:09:54,396 Where's the team? 187 00:09:54,396 --> 00:09:56,354 - McAllister and Wyatt are infiltrating 188 00:09:56,354 --> 00:09:57,646 the black site. 189 00:09:57,646 --> 00:09:58,730 Reynolds and Novin 190 00:09:58,730 --> 00:10:00,855 have found Rachel Sheridan, dead. 191 00:10:00,855 --> 00:10:02,521 And you are going back to hospital. 192 00:10:02,521 --> 00:10:03,563 - To do what? 193 00:10:03,563 --> 00:10:05,396 - To recover. - No. 194 00:10:05,396 --> 00:10:06,479 No, sorry, ma'am. 195 00:10:06,479 --> 00:10:08,730 Got a job to do here. 196 00:10:08,730 --> 00:10:12,688 I'm up to speed on the black site, all right? 197 00:10:12,688 --> 00:10:15,688 - You have the comms, Lance Corporal. 198 00:10:15,688 --> 00:10:22,813 ♪ ♪ 199 00:10:25,688 --> 00:10:28,604 - Bravo, send sit-rep. 200 00:10:28,604 --> 00:10:30,688 - Johnson, is that you? 201 00:10:30,688 --> 00:10:32,730 Back at work already? 202 00:10:32,730 --> 00:10:34,312 Respect. 203 00:10:34,312 --> 00:10:36,229 - Just living for the day you get my name right, Sergeant. 204 00:10:36,229 --> 00:10:39,021 - Well, then, you're going to be living a long time. 205 00:10:39,021 --> 00:10:41,396 We're entering the arterial tunnel now. 206 00:10:41,396 --> 00:10:42,813 - Copy that. 207 00:10:42,813 --> 00:10:44,021 Comms will be out the moment 208 00:10:44,021 --> 00:10:45,354 you get beyond the perimeter. 209 00:10:45,354 --> 00:10:46,438 They'll have a pretty sophisticated 210 00:10:46,438 --> 00:10:47,604 jamming system in there. 211 00:10:47,604 --> 00:10:49,312 The black site itself 212 00:10:49,312 --> 00:10:50,896 will be fairly rudimentary, 213 00:10:50,896 --> 00:10:53,354 but Sheridan retrofitted the old Soviet base 214 00:10:53,354 --> 00:10:55,021 with a system of emergency lockdowns 215 00:10:55,021 --> 00:10:57,354 that you really don't want to be the ones to trigger. 216 00:10:57,354 --> 00:10:59,354 - Yeah, we're screwed. Got it. 217 00:10:59,354 --> 00:11:00,813 Good to hear your voice, mate. 218 00:11:00,813 --> 00:11:02,229 - Ready? - Yeah. 219 00:11:02,229 --> 00:11:04,062 - One, two, three. 220 00:11:04,062 --> 00:11:07,104 [disquieting music] 221 00:11:07,104 --> 00:11:14,271 ♪ ♪ 222 00:11:14,688 --> 00:11:15,771 - Good luck. 223 00:11:15,771 --> 00:11:17,146 ♪ ♪ 224 00:11:17,146 --> 00:11:18,604 - See you on the other side. 225 00:11:18,604 --> 00:11:25,730 ♪ ♪ 226 00:11:28,104 --> 00:11:30,396 - Comms are now out. 227 00:11:30,396 --> 00:11:31,980 [grunts] 228 00:11:33,646 --> 00:11:37,271 Have you heard of something called Project Tenebrae, ma'am? 229 00:11:39,980 --> 00:11:42,771 Lowry said something about it being the real enemy, 230 00:11:42,771 --> 00:11:45,938 um, before she, um... 231 00:11:45,938 --> 00:11:49,104 ♪ ♪ 232 00:11:49,104 --> 00:11:50,396 I don't know. 233 00:11:50,396 --> 00:11:51,813 It just seemed important. 234 00:11:51,813 --> 00:11:53,479 - You should look into it, 235 00:11:53,479 --> 00:11:56,104 but right now, you should focus on the mission. 236 00:11:56,104 --> 00:12:03,187 ♪ ♪ 237 00:12:10,938 --> 00:12:12,813 - You son of a bitch. 238 00:12:12,813 --> 00:12:14,479 ♪ ♪ 239 00:12:14,479 --> 00:12:16,187 [metal scraping] 240 00:12:16,187 --> 00:12:19,146 ♪ ♪ 241 00:12:19,146 --> 00:12:20,646 [loud thud] 242 00:12:20,646 --> 00:12:22,521 - Can you make a bit more noise? 243 00:12:22,521 --> 00:12:24,438 - [whispering] It's rusted. 244 00:12:24,438 --> 00:12:31,563 ♪ ♪ 245 00:12:34,062 --> 00:12:35,855 [metal ringing] 246 00:12:35,855 --> 00:12:38,021 ♪ ♪ 247 00:12:38,021 --> 00:12:41,021 [ominous music] 248 00:12:41,021 --> 00:12:45,187 ♪ ♪ 249 00:12:45,187 --> 00:12:46,521 [indistinct voices] 250 00:12:46,521 --> 00:12:48,229 - Jesus, Jensen! 251 00:12:48,229 --> 00:12:50,855 - [sighs] Captain. 252 00:12:50,855 --> 00:12:52,062 Uh, I'm glad you're here, actually. 253 00:12:52,062 --> 00:12:53,688 Uh, Donovan asked me 254 00:12:53,688 --> 00:12:55,187 to look into something while she was gone, 255 00:12:55,187 --> 00:12:57,813 um, and I found I need second level clearance. 256 00:12:57,813 --> 00:12:59,521 - [scoffs] I don't believe this. 257 00:12:59,521 --> 00:13:00,855 - It concerns Lowry. 258 00:13:00,855 --> 00:13:02,479 - You shouldn't be at work. 259 00:13:02,479 --> 00:13:04,187 ♪ ♪ 260 00:13:04,187 --> 00:13:05,688 - Captain, time's an issue, 261 00:13:05,688 --> 00:13:08,021 and, uh, Donovan isn't due back for a while. 262 00:13:08,021 --> 00:13:09,771 - All right. 263 00:13:09,771 --> 00:13:12,813 [eerie music] 264 00:13:12,813 --> 00:13:19,938 ♪ ♪ 265 00:13:24,312 --> 00:13:26,521 - Captain? 266 00:13:26,521 --> 00:13:28,021 Sorry, um, 267 00:13:28,021 --> 00:13:30,521 do you mind if we have the room? 268 00:13:30,521 --> 00:13:33,312 - Yeah, of course. 269 00:13:33,312 --> 00:13:34,896 It's done. 270 00:13:34,896 --> 00:13:37,896 [mournful music] 271 00:13:37,896 --> 00:13:39,396 ♪ ♪ 272 00:13:39,396 --> 00:13:41,021 Um... 273 00:13:41,021 --> 00:13:43,187 Jensen, it's good to have you back. 274 00:13:43,187 --> 00:13:50,271 ♪ ♪ 275 00:13:54,938 --> 00:13:56,271 - The fuck are you doing here? 276 00:13:56,271 --> 00:14:00,146 ♪ ♪ 277 00:14:00,146 --> 00:14:02,354 - Following up a lead. - No. 278 00:14:02,354 --> 00:14:03,980 Here, back at work. 279 00:14:03,980 --> 00:14:05,438 It hasn't even been 24 hours. 280 00:14:05,438 --> 00:14:07,271 - Uh, I don't blame you, 281 00:14:07,271 --> 00:14:08,396 if that's what you're worried about. 282 00:14:08,396 --> 00:14:10,104 - Oh, yeah? 283 00:14:10,104 --> 00:14:12,604 You should. 284 00:14:12,604 --> 00:14:14,646 I left you in the car. 285 00:14:14,646 --> 00:14:17,146 You weren't even meant to be in the fucking field! 286 00:14:17,146 --> 00:14:18,646 - Can this not wait? 287 00:14:18,646 --> 00:14:24,896 ♪ ♪ 288 00:14:24,896 --> 00:14:27,312 - Have you looked at yourself, Will? 289 00:14:27,312 --> 00:14:34,438 ♪ ♪ 290 00:14:38,146 --> 00:14:40,646 Have you looked at what they've done to you? 291 00:14:40,646 --> 00:14:42,146 Have you? 292 00:14:42,146 --> 00:14:49,271 ♪ ♪ 293 00:14:56,312 --> 00:14:57,938 Why are you doing this? 294 00:14:57,938 --> 00:15:02,271 ♪ ♪ 295 00:15:02,271 --> 00:15:06,646 This fucking life-- it's not for you! 296 00:15:06,646 --> 00:15:08,146 It's not. 297 00:15:08,146 --> 00:15:14,479 ♪ ♪ 298 00:15:14,479 --> 00:15:15,479 Please. 299 00:15:15,479 --> 00:15:20,938 ♪ ♪ 300 00:15:20,938 --> 00:15:23,146 - We done here? Um... 301 00:15:23,146 --> 00:15:24,479 'Cause this work isn't. 302 00:15:24,479 --> 00:15:31,563 ♪ ♪ 303 00:15:37,813 --> 00:15:40,896 [loud squeaking] 304 00:15:46,062 --> 00:15:47,229 - Wait. 305 00:15:47,229 --> 00:15:50,312 [suspenseful music] 306 00:15:50,312 --> 00:15:52,813 ♪ ♪ 307 00:15:52,813 --> 00:15:57,146 - Move. - Move. 308 00:15:57,146 --> 00:16:04,271 ♪ ♪ 309 00:16:08,730 --> 00:16:10,896 Black site secure zone dead ahead. 310 00:16:10,896 --> 00:16:18,021 ♪ ♪ 311 00:16:18,021 --> 00:16:20,271 Shit. Is that a metal detector? 312 00:16:20,271 --> 00:16:22,354 Rachel Sheridan never mentioned that. 313 00:16:22,354 --> 00:16:23,938 ♪ ♪ 314 00:16:23,938 --> 00:16:25,521 If we go through there all geared up, 315 00:16:25,521 --> 00:16:27,062 we'll have every alarm in the place ringing. 316 00:16:27,062 --> 00:16:34,229 ♪ ♪ 317 00:16:44,438 --> 00:16:45,813 What are you doing? 318 00:16:45,813 --> 00:16:47,730 - You watch my back from here. I'll check ahead. 319 00:16:47,730 --> 00:16:49,813 ♪ ♪ 320 00:16:49,813 --> 00:16:51,271 - Unarmed. 321 00:16:51,271 --> 00:16:52,980 - You know another way around? 322 00:16:52,980 --> 00:16:59,855 ♪ ♪ 323 00:16:59,855 --> 00:17:02,521 And while we're talking, I don't know. 324 00:17:02,521 --> 00:17:03,813 - You don't know what? 325 00:17:03,813 --> 00:17:07,146 - What I'm gonna do when I see Idrisi again. 326 00:17:07,146 --> 00:17:10,896 - Why the hell are you telling me this now? 327 00:17:10,896 --> 00:17:12,896 - Out of respect. 328 00:17:12,896 --> 00:17:14,521 Besides, 329 00:17:14,521 --> 00:17:16,563 you can't shout at me, can you? 330 00:17:16,563 --> 00:17:23,688 ♪ ♪ 331 00:17:24,104 --> 00:17:26,146 - [whispering] Asshole. 332 00:17:26,146 --> 00:17:33,271 ♪ ♪ 333 00:18:14,688 --> 00:18:17,104 - Sir. 334 00:18:17,104 --> 00:18:18,855 - One, two. 335 00:18:18,855 --> 00:18:21,312 [locks beep and engage] 336 00:18:24,354 --> 00:18:26,062 - We're on high alert. 337 00:18:26,062 --> 00:18:28,312 Who gave you permission to open the cell? 338 00:18:28,312 --> 00:18:30,730 - Uh, Dr. Pryce needed to see the patient. 339 00:18:30,730 --> 00:18:32,104 - Pryce. 340 00:18:32,104 --> 00:18:34,062 What the hell are you playing at? 341 00:18:34,062 --> 00:18:36,062 Shit. 342 00:18:36,062 --> 00:18:38,271 [alarm blaring] 343 00:18:38,271 --> 00:18:41,312 [ominous music] 344 00:18:41,312 --> 00:18:48,438 ♪ ♪ 345 00:19:09,104 --> 00:19:10,271 - Mac! 346 00:19:13,396 --> 00:19:14,604 Mac! 347 00:19:14,604 --> 00:19:16,396 ♪ ♪ 348 00:19:16,396 --> 00:19:17,771 Shit. 349 00:19:17,771 --> 00:19:20,855 [suspenseful music] 350 00:19:20,855 --> 00:19:23,312 ♪ ♪ 351 00:19:23,312 --> 00:19:25,771 - [growls] 352 00:19:25,771 --> 00:19:27,604 Twat! 353 00:19:27,604 --> 00:19:30,730 [disquieting music] 354 00:19:30,730 --> 00:19:34,271 ♪ ♪ 355 00:19:34,271 --> 00:19:36,146 - [grunts] 356 00:19:36,146 --> 00:19:37,938 - Adrenaline. It'll help. 357 00:19:37,938 --> 00:19:40,104 ♪ ♪ 358 00:19:40,104 --> 00:19:42,021 I've taken care of immediate security, 359 00:19:42,021 --> 00:19:44,604 but there'll be more in the area, coming this way. 360 00:19:44,604 --> 00:19:51,771 ♪ ♪ 361 00:20:03,521 --> 00:20:04,813 - Captain. 362 00:20:04,813 --> 00:20:07,604 Parker's running a rogue op for his own glory. 363 00:20:07,604 --> 00:20:09,938 - At least that means going in and grabbing Idrisi 364 00:20:09,938 --> 00:20:12,021 won't cause an international incident. 365 00:20:12,021 --> 00:20:14,730 - Did you give Jensen a security override earlier? 366 00:20:14,730 --> 00:20:16,062 I received an alert. 367 00:20:16,062 --> 00:20:18,855 - He was looking into intel on Lowry. 368 00:20:18,855 --> 00:20:21,229 - I had denied him the request. 369 00:20:21,229 --> 00:20:22,855 He's barely able to function as it is. 370 00:20:22,855 --> 00:20:24,730 - Lowry had access to my records. 371 00:20:24,730 --> 00:20:26,187 Wyatt's as well. 372 00:20:26,187 --> 00:20:27,604 Something else is going on here. 373 00:20:27,604 --> 00:20:30,479 - You don't think I'm aware of that? 374 00:20:30,479 --> 00:20:33,771 Right now, I am trying to protect Jensen. 375 00:20:33,771 --> 00:20:35,604 - No, right now, 376 00:20:35,604 --> 00:20:37,479 you are hiding something from me. 377 00:20:37,479 --> 00:20:39,104 - We are not equals, Captain. 378 00:20:39,104 --> 00:20:40,938 I have no duty to you. 379 00:20:40,938 --> 00:20:42,354 [cell phone beeps] 380 00:20:42,354 --> 00:20:44,855 [ominous music] 381 00:20:44,855 --> 00:20:46,604 That's a geo-tag from Parker. 382 00:20:46,604 --> 00:20:49,021 Why would he send me that? 383 00:20:49,021 --> 00:20:51,479 Get over there and find out what the hell's going on. 384 00:20:51,479 --> 00:20:58,688 ♪ ♪ 385 00:20:59,229 --> 00:21:01,271 - So, um, 386 00:21:01,271 --> 00:21:06,312 in the middle of the night, I got an email from you. 387 00:21:06,312 --> 00:21:07,688 - I didn't send you an email. 388 00:21:07,688 --> 00:21:09,146 - Yeah, I know. You were asleep. 389 00:21:09,146 --> 00:21:10,980 I could see that. 390 00:21:13,646 --> 00:21:15,855 - You were in my hospital room? 391 00:21:19,021 --> 00:21:20,855 - Point is, 392 00:21:20,855 --> 00:21:22,187 it was a link 393 00:21:22,187 --> 00:21:25,646 to all of Will Jensen's files. 394 00:21:25,646 --> 00:21:27,021 - Mm-hm. 395 00:21:27,021 --> 00:21:28,896 Uh, it's an automated program. 396 00:21:28,896 --> 00:21:31,730 If I don't check in every 24 hours, um... 397 00:21:31,730 --> 00:21:35,813 It's just important to keep everything backed up. 398 00:21:35,813 --> 00:21:37,813 - Dude, I'm not a hard drive. 399 00:21:37,813 --> 00:21:40,062 - No. 400 00:21:40,062 --> 00:21:42,396 You're, uh-- you're the person I trust. 401 00:21:42,396 --> 00:21:45,396 [tender music] 402 00:21:45,396 --> 00:21:48,438 ♪ ♪ 403 00:21:48,438 --> 00:21:50,062 - Gracie, saddle up. 404 00:21:50,062 --> 00:21:51,688 We're going to check on Parker. 405 00:21:51,688 --> 00:21:53,187 Something might be up. 406 00:21:53,187 --> 00:21:55,604 - Copy. - All right. 407 00:21:57,229 --> 00:21:58,438 - Catch you later. 408 00:21:58,438 --> 00:21:59,896 - Grace? 409 00:22:04,312 --> 00:22:07,563 - [laughs] 410 00:22:07,563 --> 00:22:14,688 ♪ ♪ 411 00:22:16,730 --> 00:22:19,855 - [clears throat] 412 00:22:19,855 --> 00:22:21,771 [alarms blaring] 413 00:22:21,771 --> 00:22:23,688 [dramatic music] 414 00:22:23,688 --> 00:22:25,938 - Okara's in cell number five. 415 00:22:25,938 --> 00:22:28,771 - We release all of the prisoners, doctor. 416 00:22:28,771 --> 00:22:31,438 - Omair, these men-- they've seen me as the enemy. 417 00:22:31,438 --> 00:22:32,771 The things I've done... 418 00:22:32,771 --> 00:22:35,312 - That is why you are helping me, hm? 419 00:22:35,312 --> 00:22:38,229 Why you risked everything to-- 420 00:22:38,229 --> 00:22:39,646 to place a call to my wife. 421 00:22:39,646 --> 00:22:41,813 To redeem yourself. 422 00:22:41,813 --> 00:22:46,312 We are all prisoners of some kind, doctor. 423 00:22:46,312 --> 00:22:48,104 We need Okara 424 00:22:48,104 --> 00:22:49,813 to open the doors. 425 00:22:49,813 --> 00:22:51,396 - We need to take it slowly. 426 00:22:51,396 --> 00:22:53,396 Torture's taken its toll. 427 00:22:53,396 --> 00:22:55,312 - Okara, now. 428 00:22:55,312 --> 00:22:56,938 [quiet music] 429 00:22:56,938 --> 00:22:59,813 - [sighs] 430 00:22:59,813 --> 00:23:02,813 You promise they won't harm me? 431 00:23:02,813 --> 00:23:04,604 - I give you my word. 432 00:23:04,604 --> 00:23:06,062 ♪ ♪ 433 00:23:06,062 --> 00:23:09,104 [dramatic music] 434 00:23:09,104 --> 00:23:16,187 ♪ ♪ 435 00:23:42,062 --> 00:23:45,146 [disquieting music] 436 00:23:45,146 --> 00:23:47,354 - Whoa. 437 00:23:47,354 --> 00:23:50,354 [suspenseful music] 438 00:23:50,354 --> 00:23:57,479 ♪ ♪ 439 00:23:57,855 --> 00:23:59,396 - Who the hell are you? 440 00:23:59,396 --> 00:24:01,521 - Sergeant Wyatt. How you doing? 441 00:24:01,521 --> 00:24:03,604 Looks like I got here just in time. 442 00:24:03,604 --> 00:24:05,479 - You broke in here? 443 00:24:05,479 --> 00:24:06,896 That's impossible. 444 00:24:06,896 --> 00:24:09,354 - Call Colonel Parker. He'll vouch for me--mostly. 445 00:24:09,354 --> 00:24:11,312 - Parker's not picking up. 446 00:24:11,312 --> 00:24:13,062 [disquieting music] 447 00:24:13,062 --> 00:24:14,730 - You just lost your eyes as well. 448 00:24:14,730 --> 00:24:17,521 ♪ ♪ 449 00:24:17,521 --> 00:24:18,938 Look, I got a body on the wrong side 450 00:24:18,938 --> 00:24:20,646 of your lockdown, Sergeant McAllister. 451 00:24:20,646 --> 00:24:24,312 I know Parker will have warned you about Jane Lowry. 452 00:24:24,312 --> 00:24:25,896 That's why we're here, 453 00:24:25,896 --> 00:24:28,062 to make sure she doesn't get what she wants. 454 00:24:28,062 --> 00:24:29,980 - Or maybe you were here to help her. 455 00:24:29,980 --> 00:24:31,438 - Come on. 456 00:24:31,438 --> 00:24:35,563 ♪ ♪ 457 00:24:35,563 --> 00:24:37,730 - Okara. 458 00:24:37,730 --> 00:24:39,730 How long to open the doors? 459 00:24:39,730 --> 00:24:41,813 - I don't work for you, Idrisi. 460 00:24:41,813 --> 00:24:44,229 I work for myself. 461 00:24:44,229 --> 00:24:46,062 - They told me there wasn't a prison built 462 00:24:46,062 --> 00:24:47,479 that could hold you. 463 00:24:47,479 --> 00:24:49,396 - They were right. 464 00:24:49,396 --> 00:24:50,938 Ten minutes, 465 00:24:50,938 --> 00:24:52,730 if we're lucky. 466 00:24:54,604 --> 00:24:57,396 - Rachel Sheridan built a back door into this site. 467 00:24:57,396 --> 00:24:58,730 It's via an arterial tunnel 468 00:24:58,730 --> 00:25:00,146 connected to an old drainage system. 469 00:25:00,146 --> 00:25:01,813 It's about half a klick from here. 470 00:25:01,813 --> 00:25:03,938 It's how me and my buddy got in, 471 00:25:03,938 --> 00:25:05,730 and right now, there's a chance that Jane Lowry 472 00:25:05,730 --> 00:25:07,021 knows about it, too, so just-- 473 00:25:07,021 --> 00:25:08,312 just get some bodies down there. 474 00:25:08,312 --> 00:25:10,604 Guard it, at least. 475 00:25:10,604 --> 00:25:11,938 Come on, I wouldn't be telling you this shit 476 00:25:11,938 --> 00:25:13,646 if I was working with her, would I? 477 00:25:15,896 --> 00:25:19,062 - Get me a patrol on the old drainage system entrance. 478 00:25:19,062 --> 00:25:22,229 East of the site. 479 00:25:23,438 --> 00:25:24,771 - [exhales heavily] 480 00:25:24,771 --> 00:25:27,771 [quiet music] 481 00:25:27,771 --> 00:25:32,813 ♪ ♪ 482 00:25:32,813 --> 00:25:34,938 [object clangs] 483 00:25:34,938 --> 00:25:37,771 [suspenseful music] 484 00:25:37,771 --> 00:25:39,312 - Someone else is here. 485 00:25:39,312 --> 00:25:41,062 You two, go. Find them. 486 00:25:41,062 --> 00:25:42,479 Find them. 487 00:25:42,479 --> 00:25:49,646 ♪ ♪ 488 00:25:57,021 --> 00:26:00,021 [desolate music] 489 00:26:00,021 --> 00:26:04,730 ♪ ♪ 490 00:26:04,730 --> 00:26:07,688 [dramatic music] 491 00:26:07,688 --> 00:26:10,771 [disquieting music] 492 00:26:10,771 --> 00:26:16,730 ♪ ♪ 493 00:26:16,730 --> 00:26:18,146 - Who else is in here? Who else is in here 494 00:26:18,146 --> 00:26:19,646 we gotta worry about? 495 00:26:19,646 --> 00:26:22,104 - Ibrahim Okara. 496 00:26:22,104 --> 00:26:23,646 Ex-Boko Haram. 497 00:26:23,646 --> 00:26:26,312 - Yeah, he's a nasty son of a bitch. 498 00:26:26,312 --> 00:26:27,688 Listen, I just-- 499 00:26:27,688 --> 00:26:29,438 Hey, hey, hey, easy! Just get me in there. 500 00:26:29,438 --> 00:26:31,146 Just get me in there. I'll bring it under control. 501 00:26:31,146 --> 00:26:33,187 I'll find my buddy. I will bring it under control. 502 00:26:33,187 --> 00:26:35,354 - No, no, that's not happening. 503 00:26:35,354 --> 00:26:37,062 The men in there are desperate. 504 00:26:37,062 --> 00:26:38,187 Dangerous. 505 00:26:38,187 --> 00:26:41,062 ♪ ♪ 506 00:26:41,062 --> 00:26:42,980 If your friend is trapped in there with them... 507 00:26:42,980 --> 00:26:45,855 ♪ ♪ 508 00:26:45,855 --> 00:26:47,521 Then he's as good as dead. 509 00:26:47,521 --> 00:26:54,062 ♪ ♪ 510 00:26:54,062 --> 00:26:57,855 - You, find a chair. 511 00:26:57,855 --> 00:26:59,021 Pick him up. 512 00:26:59,021 --> 00:27:01,354 - [grunting] 513 00:27:01,354 --> 00:27:04,354 [suspenseful music] 514 00:27:04,354 --> 00:27:11,563 ♪ ♪ 515 00:27:17,855 --> 00:27:21,563 Tell me what you are doing here. 516 00:27:21,563 --> 00:27:24,229 - Had to see for myself 517 00:27:24,229 --> 00:27:26,521 if it was true. 518 00:27:26,521 --> 00:27:28,938 How the fuck did you survive that? 519 00:27:28,938 --> 00:27:30,229 ♪ ♪ 520 00:27:30,229 --> 00:27:32,896 - Turns out it was not my day to die. 521 00:27:32,896 --> 00:27:36,438 ♪ ♪ 522 00:27:36,438 --> 00:27:37,771 - [chuckles] 523 00:27:37,771 --> 00:27:39,354 - [chuckles] 524 00:27:39,354 --> 00:27:40,646 ♪ ♪ 525 00:27:40,646 --> 00:27:43,354 - That whole plan you had-- 526 00:27:43,354 --> 00:27:48,438 Markov, the Novichok... 527 00:27:48,438 --> 00:27:51,312 we well and truly fucked that up for you. 528 00:27:51,312 --> 00:27:54,271 - [laughs] 529 00:27:54,271 --> 00:27:56,479 Good. 530 00:27:56,479 --> 00:27:58,229 You still have spirit. 531 00:27:58,229 --> 00:28:01,146 ♪ ♪ 532 00:28:01,146 --> 00:28:02,771 Something to break. 533 00:28:02,771 --> 00:28:06,146 ♪ ♪ 534 00:28:06,146 --> 00:28:07,563 Did you come alone? 535 00:28:07,563 --> 00:28:09,980 - Wanted to make it extra special for you. 536 00:28:09,980 --> 00:28:13,813 - Ah, come on, don't lie to me. 537 00:28:13,813 --> 00:28:15,604 Where is your boyfriend 538 00:28:15,604 --> 00:28:16,896 from the USA? 539 00:28:16,896 --> 00:28:17,813 Hm? 540 00:28:17,813 --> 00:28:19,646 [electrical fizzing] 541 00:28:19,646 --> 00:28:23,813 - [speaking native language] 542 00:28:23,813 --> 00:28:26,021 - So much for your reputation. 543 00:28:26,021 --> 00:28:27,396 - I can get us out, 544 00:28:27,396 --> 00:28:29,229 but we're talking hours, not minutes. 545 00:28:29,229 --> 00:28:30,938 They have too many safeguards. 546 00:28:30,938 --> 00:28:34,730 - Fortunately, I did not place all my faith in you, Okara. 547 00:28:34,730 --> 00:28:37,730 You forget, our captors are blind. 548 00:28:37,730 --> 00:28:39,563 [intercom beeps] 549 00:28:39,563 --> 00:28:42,479 I have a hostage. 550 00:28:42,479 --> 00:28:46,021 Open the doors before I execute. 551 00:28:46,021 --> 00:28:49,021 [dramatic music] 552 00:28:49,021 --> 00:28:51,021 ♪ ♪ 553 00:28:51,021 --> 00:28:54,104 [defibrillator humming] 554 00:28:54,104 --> 00:28:56,229 ♪ ♪ 555 00:28:56,229 --> 00:28:57,771 - [screams] 556 00:28:57,771 --> 00:28:59,604 ♪ ♪ 557 00:28:59,604 --> 00:29:00,980 - Come on, you gotta let me in there. 558 00:29:00,980 --> 00:29:01,938 Let me in there! 559 00:29:01,938 --> 00:29:03,563 - I can't do that! 560 00:29:03,563 --> 00:29:05,146 - [groaning] 561 00:29:05,146 --> 00:29:07,479 - Open the doors! 562 00:29:07,479 --> 00:29:08,688 ♪ ♪ 563 00:29:08,688 --> 00:29:10,730 [defibrillator humming] 564 00:29:10,730 --> 00:29:12,521 - [groaning] 565 00:29:12,521 --> 00:29:19,646 ♪ ♪ 566 00:29:37,187 --> 00:29:39,187 - Your father... 567 00:29:39,187 --> 00:29:43,855 He was a good man, Omair. 568 00:29:43,855 --> 00:29:45,438 He would not want you 569 00:29:45,438 --> 00:29:48,479 to give into your anger, 570 00:29:48,479 --> 00:29:50,438 to seek revenge. 571 00:29:50,438 --> 00:29:53,479 [uneasy music] 572 00:29:53,479 --> 00:30:00,604 ♪ ♪ 573 00:30:08,229 --> 00:30:11,229 [dramatic music] 574 00:30:11,229 --> 00:30:13,813 ♪ ♪ 575 00:30:13,813 --> 00:30:15,396 - [grunting] You fucking me? 576 00:30:15,396 --> 00:30:18,396 [energetic music] 577 00:30:18,396 --> 00:30:21,312 ♪ ♪ 578 00:30:21,312 --> 00:30:22,563 - Alpha team! 579 00:30:22,563 --> 00:30:29,688 ♪ ♪ 580 00:30:30,229 --> 00:30:31,688 - You're thinking that "this guy 581 00:30:31,688 --> 00:30:32,938 won't actually hurt me." 582 00:30:32,938 --> 00:30:35,604 ♪ ♪ 583 00:30:35,604 --> 00:30:37,604 This guy fucking will. 584 00:30:37,604 --> 00:30:39,771 Now open the fucking doors 585 00:30:39,771 --> 00:30:41,938 and let me in! 586 00:30:41,938 --> 00:30:44,730 All right, last chance. 587 00:30:44,730 --> 00:30:47,980 - [groans] 588 00:30:47,980 --> 00:30:50,938 [quiet music] 589 00:30:50,938 --> 00:30:52,563 - Oh, no, no, no, no, no. 590 00:30:52,563 --> 00:30:53,813 No, no, no, no, come on. 591 00:30:53,813 --> 00:30:55,104 Come on, wake up. 592 00:30:55,104 --> 00:30:56,479 Wake up. Come on. 593 00:30:56,479 --> 00:30:57,938 C-- 594 00:30:57,938 --> 00:30:59,479 ♪ ♪ 595 00:30:59,479 --> 00:31:01,062 Oh, you son of a bitch. 596 00:31:01,062 --> 00:31:08,146 ♪ ♪ 597 00:31:10,062 --> 00:31:11,229 [growls] 598 00:31:18,396 --> 00:31:19,771 [dramatic music] 599 00:31:19,771 --> 00:31:21,438 Oh, come on! 600 00:31:21,438 --> 00:31:28,521 ♪ ♪ 601 00:31:40,688 --> 00:31:43,688 [tense music] 602 00:31:43,688 --> 00:31:50,813 ♪ ♪ 603 00:31:53,938 --> 00:31:56,521 [suspenseful music] 604 00:31:56,521 --> 00:31:59,563 [dramatic music] 605 00:31:59,563 --> 00:32:00,855 ♪ ♪ 606 00:32:00,855 --> 00:32:02,187 - Moving. 607 00:32:02,187 --> 00:32:09,312 ♪ ♪ 608 00:32:24,146 --> 00:32:25,688 - Parker's family. 609 00:32:25,688 --> 00:32:32,855 ♪ ♪ 610 00:32:33,354 --> 00:32:35,187 - Volkan has them. 611 00:32:35,187 --> 00:32:38,229 [quiet synth music] 612 00:32:38,229 --> 00:32:45,396 ♪ ♪ 613 00:32:50,521 --> 00:32:53,688 [syncopated percussive synth music] 614 00:32:53,688 --> 00:33:00,771 ♪ ♪ 615 00:33:03,229 --> 00:33:04,604 [heavy thud] 616 00:33:10,146 --> 00:33:11,604 - Lower your weapons, soldier. 617 00:33:11,604 --> 00:33:14,730 ♪ ♪ 618 00:33:14,730 --> 00:33:16,813 - Volkan. 619 00:33:16,813 --> 00:33:20,521 - Lower your weapon, soldier. 620 00:33:20,521 --> 00:33:21,604 - Let them go. 621 00:33:21,604 --> 00:33:23,646 - [cocks gun] Lower it. 622 00:33:23,646 --> 00:33:30,771 ♪ ♪ 623 00:33:43,855 --> 00:33:45,479 - You can't win this. 624 00:33:45,479 --> 00:33:47,438 - Idrisi is alive. 625 00:33:47,438 --> 00:33:48,771 ♪ ♪ 626 00:33:48,771 --> 00:33:50,479 Do you have any idea what that means? 627 00:33:50,479 --> 00:33:52,021 - And what about when he discovers 628 00:33:52,021 --> 00:33:54,021 what you've done, 629 00:33:54,021 --> 00:33:56,396 turning your back on your own people? 630 00:33:56,396 --> 00:33:59,604 - What happens to me is not important. 631 00:33:59,604 --> 00:34:01,354 He is all that matters. 632 00:34:01,354 --> 00:34:02,771 [gunshot] 633 00:34:02,771 --> 00:34:04,396 - [gasps] 634 00:34:04,396 --> 00:34:08,438 - [gurgles] 635 00:34:08,438 --> 00:34:15,146 ♪ ♪ 636 00:34:15,146 --> 00:34:17,271 - Volkan is dead. 637 00:34:17,271 --> 00:34:21,604 I repeat, Volkan is dead. 638 00:34:21,604 --> 00:34:23,187 - Solid copy on that. 639 00:34:23,187 --> 00:34:25,563 - Parker and his family were held hostage. 640 00:34:25,563 --> 00:34:27,229 They've taken him. 641 00:34:27,229 --> 00:34:29,479 - They must be using him to gain access to the site. 642 00:34:29,479 --> 00:34:31,146 You need to get over there, fast as you can. 643 00:34:31,146 --> 00:34:32,604 I'll try and contact Parker again. 644 00:34:32,604 --> 00:34:34,062 - [groans] 645 00:34:34,062 --> 00:34:37,104 [dramatic music] 646 00:34:37,104 --> 00:34:44,146 ♪ ♪ 647 00:34:44,396 --> 00:34:46,688 - Open the doors! 648 00:34:46,688 --> 00:34:49,688 ♪ ♪ 649 00:34:49,688 --> 00:34:51,813 Open the doors! 650 00:34:54,229 --> 00:34:57,479 [electrical flickering, popping] 651 00:35:02,771 --> 00:35:05,271 - They are not opening the door. 652 00:35:05,271 --> 00:35:07,021 They are not listening to you. 653 00:35:07,021 --> 00:35:08,229 - Fuck you. 654 00:35:08,229 --> 00:35:09,438 [suspenseful music] 655 00:35:09,438 --> 00:35:10,855 - And neither are we. 656 00:35:10,855 --> 00:35:15,521 ♪ ♪ 657 00:35:15,521 --> 00:35:17,354 But you're right. 658 00:35:17,354 --> 00:35:20,396 Maybe a hostage is the way out. 659 00:35:20,396 --> 00:35:22,688 A bullet in the leg, 660 00:35:22,688 --> 00:35:24,771 one in the arm. 661 00:35:24,771 --> 00:35:27,521 We'll see how quickly they open the door 662 00:35:27,521 --> 00:35:30,604 when their most valuable prisoner is under threat. 663 00:35:30,604 --> 00:35:32,771 At least your name still means something, Idrisi. 664 00:35:32,771 --> 00:35:34,062 [defibrillator hums] 665 00:35:34,062 --> 00:35:34,980 Gah! 666 00:35:34,980 --> 00:35:38,021 [dramatic music] 667 00:35:38,021 --> 00:35:44,771 ♪ ♪ 668 00:35:44,771 --> 00:35:46,271 - Stay back! 669 00:35:46,271 --> 00:35:48,980 Back. 670 00:35:48,980 --> 00:35:51,563 Stay back! 671 00:35:51,563 --> 00:35:58,730 ♪ ♪ 672 00:36:06,354 --> 00:36:09,438 [eerie music] 673 00:36:09,438 --> 00:36:12,104 ♪ ♪ 674 00:36:12,104 --> 00:36:13,896 - Okay, fellas. 675 00:36:13,896 --> 00:36:15,938 We need to get to the control room. 676 00:36:15,938 --> 00:36:17,062 - We're in lockdown, sir. 677 00:36:17,062 --> 00:36:18,563 - Come on, guys, look at me. 678 00:36:18,563 --> 00:36:20,688 I'm Colonel Parker. I'm your commanding officer, 679 00:36:20,688 --> 00:36:24,104 and we need to get to the goddamn control room! 680 00:36:24,104 --> 00:36:25,271 - Sir, I'm sorry... [cell phone beeps] 681 00:36:25,271 --> 00:36:28,896 but we can't open the doors. 682 00:36:28,896 --> 00:36:30,229 Sir? 683 00:36:32,771 --> 00:36:33,896 - Hey! Whoa, whoa, whoa. 684 00:36:33,896 --> 00:36:35,187 Easy, easy. 685 00:36:35,187 --> 00:36:37,229 I hope you've come to sort this shit-storm out. 686 00:36:37,229 --> 00:36:40,604 - I'm sorry, buddy. You're gonna have to speak up. 687 00:36:40,604 --> 00:36:42,146 You know, since Grozny, 688 00:36:42,146 --> 00:36:44,187 I am as deaf as a post. 689 00:36:44,187 --> 00:36:47,229 [tense music] 690 00:36:47,229 --> 00:36:48,646 ♪ ♪ 691 00:36:48,646 --> 00:36:49,938 - Down! 692 00:36:49,938 --> 00:36:52,980 [dramatic music] 693 00:36:52,980 --> 00:37:00,104 ♪ ♪ 694 00:37:03,021 --> 00:37:03,980 - On them! 695 00:37:03,980 --> 00:37:11,146 ♪ ♪ 696 00:37:11,646 --> 00:37:12,730 This way. 697 00:37:12,730 --> 00:37:14,146 [tense music] 698 00:37:14,146 --> 00:37:16,646 - [breathing heavily] 699 00:37:16,646 --> 00:37:19,271 ♪ ♪ 700 00:37:19,271 --> 00:37:22,312 [laughs] 701 00:37:22,312 --> 00:37:25,187 You have to keep me alive, huh? 702 00:37:25,187 --> 00:37:26,479 - I'm just doing my job, all right? 703 00:37:26,479 --> 00:37:27,896 - Yeah, but 704 00:37:27,896 --> 00:37:30,146 if you didn't, no one would know. 705 00:37:30,146 --> 00:37:32,646 If it was the other way around, 706 00:37:32,646 --> 00:37:34,021 I wouldn't hesitate. 707 00:37:34,021 --> 00:37:35,187 - That's why I'm the good guy 708 00:37:35,187 --> 00:37:38,312 and you're the bad guy. 709 00:37:38,312 --> 00:37:39,855 - Your enemy is just someone 710 00:37:39,855 --> 00:37:44,521 whose point of view you haven't understood yet. 711 00:37:44,521 --> 00:37:46,021 My father was a farmer. 712 00:37:46,021 --> 00:37:48,187 - I know all about your father. 713 00:37:48,187 --> 00:37:49,438 A Western missile strike 714 00:37:49,438 --> 00:37:51,688 at an incorrectly-identified village. 715 00:37:51,688 --> 00:37:53,730 - Eh. 716 00:37:53,730 --> 00:37:54,813 So you understand. 717 00:37:54,813 --> 00:37:56,187 - Yeah, I understand. 718 00:37:56,187 --> 00:37:57,187 That gave you an excuse to act 719 00:37:57,187 --> 00:37:59,396 like a sociopath. 720 00:37:59,396 --> 00:38:03,646 Bombing hotels, bringing down airliners... 721 00:38:03,646 --> 00:38:06,521 - What do you--Oh! 722 00:38:06,521 --> 00:38:09,521 [desolate music] 723 00:38:09,521 --> 00:38:12,479 ♪ ♪ 724 00:38:12,479 --> 00:38:14,229 More men than bullets. 725 00:38:14,229 --> 00:38:15,271 ♪ ♪ 726 00:38:15,271 --> 00:38:16,521 - Let's go. 727 00:38:16,521 --> 00:38:19,896 ♪ ♪ 728 00:38:19,896 --> 00:38:22,896 [foreboding music] 729 00:38:22,896 --> 00:38:30,062 ♪ ♪ 730 00:38:39,980 --> 00:38:41,771 - They had my whole family, Wyatt. 731 00:38:41,771 --> 00:38:43,229 There was nothing I could do. 732 00:38:43,229 --> 00:38:45,521 - The name Lila Hall mean anything to you? 733 00:38:45,521 --> 00:38:48,062 Her mother was Rachel Sheridan, and they're both dead, 734 00:38:48,062 --> 00:38:49,771 because you lied. You lied to everybody 735 00:38:49,771 --> 00:38:51,062 and you hid Idrisi away in here. 736 00:38:51,062 --> 00:38:52,146 - What I do with men like Idrisi 737 00:38:52,146 --> 00:38:53,855 is about keeping people safe! 738 00:38:53,855 --> 00:38:55,604 - Bullshit. It's about stripes and medals. 739 00:38:55,604 --> 00:38:56,980 Now, I know you got a way in there. 740 00:38:56,980 --> 00:38:58,688 - Yeah, I got another way in. 741 00:38:58,688 --> 00:39:00,771 I got a way out as well for both of us. 742 00:39:00,771 --> 00:39:02,938 Total deniability. 743 00:39:02,938 --> 00:39:04,438 We can walk away. 744 00:39:04,438 --> 00:39:05,771 You can get your life back. 745 00:39:05,771 --> 00:39:07,980 You can go home again. 746 00:39:07,980 --> 00:39:10,771 [dramatic music] 747 00:39:10,771 --> 00:39:11,896 - Haven't you heard? 748 00:39:11,896 --> 00:39:13,104 I'm with 20 now. 749 00:39:13,104 --> 00:39:14,604 Now you get me the hell in there. 750 00:39:14,604 --> 00:39:16,855 ♪ ♪ 751 00:39:16,855 --> 00:39:19,438 - This way. 752 00:39:19,438 --> 00:39:22,438 ♪ ♪ 753 00:39:22,438 --> 00:39:24,146 - [grunts] 754 00:39:24,146 --> 00:39:25,521 - You're the site director. 755 00:39:25,521 --> 00:39:27,271 I'd like to see my husband. 756 00:39:27,271 --> 00:39:29,146 - We're--we're in lockdown. 757 00:39:29,146 --> 00:39:30,438 - Well, take us out of it. 758 00:39:30,438 --> 00:39:32,521 - I can't. System's locked me out. 759 00:39:32,521 --> 00:39:33,813 - I know who designed this place. 760 00:39:33,813 --> 00:39:35,396 I watched her die. 761 00:39:35,396 --> 00:39:37,021 I also know that in lockdown, 762 00:39:37,021 --> 00:39:39,688 you and Parker have the override keys. 763 00:39:39,688 --> 00:39:45,312 ♪ ♪ 764 00:39:45,312 --> 00:39:46,479 Move him! 765 00:39:46,479 --> 00:39:49,646 ♪ ♪ 766 00:39:50,104 --> 00:39:51,980 - Listen, they don't care about you. 767 00:39:51,980 --> 00:39:52,980 They want me. 768 00:39:52,980 --> 00:39:55,479 So use me as bait, hm? 769 00:39:55,479 --> 00:39:56,521 [laughs] 770 00:39:56,521 --> 00:39:58,187 You don't have enough bullets, 771 00:39:58,187 --> 00:39:59,646 and I will not survive 772 00:39:59,646 --> 00:40:04,229 in the hands of a man like Okara. 773 00:40:04,229 --> 00:40:05,688 [dramatic music] 774 00:40:05,688 --> 00:40:07,980 - Wait. 775 00:40:07,980 --> 00:40:09,646 Stop. 776 00:40:09,646 --> 00:40:10,646 Don't move. 777 00:40:10,646 --> 00:40:13,813 ♪ ♪ 778 00:40:13,813 --> 00:40:15,104 - Shh. 779 00:40:15,104 --> 00:40:17,187 ♪ ♪ 780 00:40:17,187 --> 00:40:19,479 The British soldier 781 00:40:19,479 --> 00:40:21,021 is behind you. 782 00:40:21,021 --> 00:40:24,813 - [laughs] 783 00:40:24,813 --> 00:40:27,855 [uneasy music] 784 00:40:27,855 --> 00:40:29,438 ♪ ♪ 785 00:40:29,438 --> 00:40:31,146 Do you think I'm stupid, 786 00:40:31,146 --> 00:40:33,438 Idrisi? 787 00:40:33,438 --> 00:40:36,479 [dramatic music] 788 00:40:36,479 --> 00:40:38,980 ♪ ♪ 789 00:40:38,980 --> 00:40:40,688 [gun clicks] 790 00:40:40,688 --> 00:40:47,813 ♪ ♪ 791 00:40:51,229 --> 00:40:52,688 [gunshot] 792 00:40:52,688 --> 00:40:55,688 [suspenseful music] 793 00:40:55,688 --> 00:41:01,563 ♪ ♪ 794 00:41:01,563 --> 00:41:04,396 - Drop it. 795 00:41:04,396 --> 00:41:05,896 Drop the weapon. 796 00:41:05,896 --> 00:41:07,563 ♪ ♪ 797 00:41:07,563 --> 00:41:09,688 - Not today, Habibie. 798 00:41:09,688 --> 00:41:12,896 ♪ ♪ 799 00:41:12,896 --> 00:41:14,438 - Get on the ground, now! 800 00:41:14,438 --> 00:41:16,062 Hands. 801 00:41:16,062 --> 00:41:17,229 Hands. 802 00:41:17,229 --> 00:41:20,938 ♪ ♪ 803 00:41:20,938 --> 00:41:23,438 Ah, it's nice to see you stayed on mission. 804 00:41:23,438 --> 00:41:26,396 - Well, one of us has got to do a proper job, eh? 805 00:41:26,396 --> 00:41:29,021 - Your boyfriend is rough. [laughs] 806 00:41:29,021 --> 00:41:30,396 - Move. 807 00:41:30,396 --> 00:41:32,521 ♪ ♪ 808 00:41:32,521 --> 00:41:34,062 - How you doing, Omair? 809 00:41:34,062 --> 00:41:35,354 - Fuck you. 810 00:41:35,354 --> 00:41:39,604 ♪ ♪ 811 00:41:41,229 --> 00:41:43,146 [console beeping] 812 00:41:43,146 --> 00:41:44,438 - Faster. 813 00:41:44,438 --> 00:41:46,438 - It's not opening. 814 00:41:46,438 --> 00:41:48,604 Whatever they've been doing has jammed the locks. 815 00:41:48,604 --> 00:41:49,855 [console beeping] 816 00:41:49,855 --> 00:41:52,896 [haunting music] 817 00:41:52,896 --> 00:41:57,938 ♪ ♪ 818 00:41:57,938 --> 00:42:00,312 - Move, move, move! 819 00:42:00,312 --> 00:42:03,271 ♪ ♪ 820 00:42:03,271 --> 00:42:05,104 [gun clicking] 821 00:42:05,104 --> 00:42:11,771 ♪ ♪ 822 00:42:11,771 --> 00:42:13,354 - Got it. 823 00:42:13,354 --> 00:42:16,438 - Open the fucking door! 824 00:42:16,438 --> 00:42:18,146 - I was the one who kept him alive. 825 00:42:18,146 --> 00:42:20,146 You need to understand that. 826 00:42:20,146 --> 00:42:21,813 ♪ ♪ 827 00:42:21,813 --> 00:42:23,980 [alarm sounds] 828 00:42:23,980 --> 00:42:27,021 [dramatic music] 829 00:42:27,021 --> 00:42:31,646 ♪ ♪ 830 00:42:31,646 --> 00:42:32,688 - Contact! 831 00:42:32,688 --> 00:42:33,938 [gunshots] 832 00:42:33,938 --> 00:42:35,271 ♪ ♪ 833 00:42:35,271 --> 00:42:36,312 - Get down! 834 00:42:36,312 --> 00:42:40,396 ♪ ♪ 835 00:42:40,396 --> 00:42:41,521 - Changing! 836 00:42:41,521 --> 00:42:43,938 ♪ ♪ 837 00:42:43,938 --> 00:42:45,479 Shit. Moving! 838 00:42:45,479 --> 00:42:47,479 ♪ ♪ 839 00:42:47,479 --> 00:42:49,062 That's an ammo stack back there. 840 00:42:49,062 --> 00:42:50,521 Lucky I wasn't blown to pieces. 841 00:42:50,521 --> 00:42:52,062 ♪ ♪ 842 00:42:52,062 --> 00:42:53,980 - Shoot to the right! 843 00:42:53,980 --> 00:42:54,980 I'm running low. 844 00:42:54,980 --> 00:43:00,396 ♪ ♪ 845 00:43:00,396 --> 00:43:02,146 - Out! 846 00:43:02,146 --> 00:43:03,146 - I'm out! 847 00:43:03,146 --> 00:43:04,146 - Empty! 848 00:43:04,146 --> 00:43:06,021 - They're out of ammo! 849 00:43:06,021 --> 00:43:06,938 [grunts] 850 00:43:06,938 --> 00:43:08,104 - Shut the fuck up! 851 00:43:08,104 --> 00:43:09,062 - Go! 852 00:43:09,062 --> 00:43:10,104 [rock music] 853 00:43:10,104 --> 00:43:12,062 - Yeah! 854 00:43:12,062 --> 00:43:19,187 ♪ ♪ 855 00:43:25,646 --> 00:43:28,688 - Aren't you guys sick of us saving your asses? 856 00:43:28,688 --> 00:43:31,146 - Ha. Highlight of my day. Move it! 857 00:43:31,146 --> 00:43:35,604 ♪ ♪ 858 00:43:35,604 --> 00:43:36,938 - Ammo dump, 11 o'clock. 859 00:43:36,938 --> 00:43:38,479 - Got it. 860 00:43:38,479 --> 00:43:45,563 ♪ ♪ 861 00:43:51,312 --> 00:43:53,104 - Go! 862 00:43:53,104 --> 00:43:56,104 [music fades] 863 00:43:56,104 --> 00:43:57,896 ♪ ♪ 864 00:43:57,896 --> 00:44:00,896 [desolate music] 865 00:44:00,896 --> 00:44:02,271 ♪ ♪ 866 00:44:02,271 --> 00:44:05,146 - Sit-rep. 867 00:44:05,146 --> 00:44:07,938 - Uh, I've lost touch with Novin and Reynolds. 868 00:44:07,938 --> 00:44:10,563 ♪ ♪ 869 00:44:10,563 --> 00:44:12,688 And no word from Mac and Wyatt. 870 00:44:12,688 --> 00:44:19,771 ♪ ♪ 871 00:44:24,730 --> 00:44:27,730 [dramatic music] 872 00:44:27,730 --> 00:44:28,730 ♪ ♪ 873 00:44:28,730 --> 00:44:29,813 - So your wife and family 874 00:44:29,813 --> 00:44:30,938 are at the NATO base in Zagan. 875 00:44:30,938 --> 00:44:32,062 - Thank you, Captain. 876 00:44:32,062 --> 00:44:33,354 - I've sealed the entrance. 877 00:44:33,354 --> 00:44:34,730 It'll hold them back for a while, 878 00:44:34,730 --> 00:44:35,980 but, uh, we need to get a move on. 879 00:44:35,980 --> 00:44:37,187 - Now we need to talk about Idrisi-- 880 00:44:37,187 --> 00:44:38,688 what we're going to do with him. 881 00:44:38,688 --> 00:44:42,229 - Yeah, sure, let's talk. 882 00:44:42,229 --> 00:44:44,980 We're gonna take him with us, Colonel. 883 00:44:44,980 --> 00:44:48,021 [bass guitar music] 884 00:44:48,021 --> 00:44:49,104 - Which means you-- 885 00:44:49,104 --> 00:44:50,563 you got a long walk home. 886 00:44:50,563 --> 00:44:52,813 MOP strike, asshole. Remember that? 887 00:44:52,813 --> 00:44:54,855 That's the second time you've left me for dead. 888 00:44:54,855 --> 00:44:56,688 - Let's go, Wyatt! 889 00:44:56,688 --> 00:44:58,104 - I'm glad the family's okay. 890 00:44:58,104 --> 00:44:59,646 - Oh, fuck you, Sergeant. 891 00:44:59,646 --> 00:45:00,646 [engine revs] 892 00:45:00,646 --> 00:45:01,980 - Fuck you too, Colonel. 893 00:45:01,980 --> 00:45:09,104 ♪ ♪ 894 00:45:20,646 --> 00:45:23,646 [desolate music] 895 00:45:23,646 --> 00:45:25,521 ♪ ♪ 896 00:45:25,521 --> 00:45:27,771 - Maybe you should call it a day, Will. 897 00:45:27,771 --> 00:45:29,146 - Think I've done it. 898 00:45:29,146 --> 00:45:31,312 - Done what? 899 00:45:31,312 --> 00:45:32,771 - I think I've cracked it. 900 00:45:32,771 --> 00:45:34,021 I think--I think I've cracked the thing that 901 00:45:34,021 --> 00:45:36,438 Lowry was talking about, Tenebrae. 902 00:45:36,438 --> 00:45:38,521 There weren't any, uh, references 903 00:45:38,521 --> 00:45:41,813 or logs or databases or anything like that, but... 904 00:45:41,813 --> 00:45:43,938 But when you digitally remove something, 905 00:45:43,938 --> 00:45:46,396 you can leave traces. 906 00:45:46,396 --> 00:45:48,312 I've been chasing the ghosts in the machine. 907 00:45:48,312 --> 00:45:50,146 - I told you to leave it for now. 908 00:45:50,146 --> 00:45:51,396 ♪ ♪ 909 00:45:51,396 --> 00:45:53,354 - Never could resist a challenge. 910 00:45:53,354 --> 00:46:00,521 ♪ ♪ 911 00:46:06,521 --> 00:46:09,062 Wait, what? Hold on. 912 00:46:09,062 --> 00:46:10,229 [dramatic music] 913 00:46:10,229 --> 00:46:12,187 ♪ ♪ 914 00:46:12,187 --> 00:46:15,187 [groaning, gasping] 915 00:46:15,187 --> 00:46:20,730 ♪ ♪ 916 00:46:20,730 --> 00:46:23,438 - I'm sorry. I'm sorry. 917 00:46:23,438 --> 00:46:26,187 I'm sorry, Will. I'm sorry. 918 00:46:26,187 --> 00:46:28,521 I've got no choice. I'm sorry. I'm sorry. 919 00:46:28,521 --> 00:46:31,521 - [choked gasping] 920 00:46:31,521 --> 00:46:38,730 ♪ ♪ 921 00:46:58,396 --> 00:47:01,396 [ominous music] 922 00:47:01,396 --> 00:47:08,521 ♪ ♪ 923 00:47:27,563 --> 00:47:29,521 - We've got the package. 924 00:47:29,521 --> 00:47:31,062 Over. 925 00:47:31,062 --> 00:47:34,604 ♪ ♪ 926 00:47:34,604 --> 00:47:37,771 [The Heavy's "Short Change Hero"] 927 00:47:37,771 --> 00:47:39,438 ♪ ♪ 928 00:47:39,438 --> 00:47:44,146 - ♪ I can't see where you coming from ♪ 929 00:47:44,146 --> 00:47:48,563 ♪ But I know just what you runnin' from ♪ 930 00:47:48,563 --> 00:47:52,771 ♪ And what matters ain't the "who's baddest" ♪ 931 00:47:52,771 --> 00:47:57,396 ♪ But the ones who stop you falling from your ladder ♪ 932 00:47:57,396 --> 00:48:03,062 ♪ 'Cause this ain't no place for no hero ♪ 933 00:48:03,062 --> 00:48:07,813 ♪ This ain't no place for no better man ♪ 934 00:48:07,813 --> 00:48:13,813 ♪ This ain't no place for no hero to call home ♪ 935 00:48:13,813 --> 00:48:20,980 ♪ ♪ 936 00:48:27,980 --> 00:48:31,062 [synth tone] 937 00:48:31,062 --> 00:48:34,187 [ringing tone] 938 00:48:34,187 --> 00:48:36,980 [engine revving] 939 00:48:38,187 --> 00:48:39,896 -♪ (TENSE DRUM BEAT PLAYS) ♪ -(FOOTSTEPS) 940 00:48:39,896 --> 00:48:41,396 Shit, tangos incoming. Should we, uh, 941 00:48:41,396 --> 00:48:43,021 -sort this out in a bit? -Is it bad? 942 00:48:43,855 --> 00:48:45,229 THOMAS MCALLISTER: Yeah, it's pretty bad. 943 00:48:45,604 --> 00:48:47,563 -Any last words? -Fuck you. 944 00:48:49,021 --> 00:48:50,521 ♪ (TENSE DRUM BEAT CONTINUES) ♪ 945 00:48:50,688 --> 00:48:51,855 -(GUNFIRE) -(GROANS) 946 00:48:53,354 --> 00:48:54,312 (GLASS BREAKING) 947 00:48:58,104 --> 00:48:59,563 ♪ (TENSE MUSIC INTENSIFIES) ♪ 948 00:49:07,855 --> 00:49:09,021 ♪ (ROCK MUSIC PLAYING) ♪ 949 00:49:09,813 --> 00:49:11,521 -(DEFIBRILLATOR BUZZING) -(SCREAMING) 950 00:49:11,521 --> 00:49:13,855 I was sat on a chair, trying to do electrocuted acting 951 00:49:13,855 --> 00:49:16,438 which was pretty tough. I was super sore the next day. 952 00:49:16,438 --> 00:49:18,521 Just cause of-- (GRUNTING) 953 00:49:18,521 --> 00:49:20,354 It was better than that, I think, on the day. 954 00:49:20,354 --> 00:49:21,104 (GRUNTS) 955 00:49:21,479 --> 00:49:24,062 We-- you know-- we stretch things a little bit. 956 00:49:24,062 --> 00:49:26,021 And I'm sure there's gonna be loads of guys-- 957 00:49:26,021 --> 00:49:28,563 "Uh, I'm very sorry, but when you use the defibrillator 958 00:49:28,563 --> 00:49:30,730 over the trousers, that wouldn't actually work." 959 00:49:30,730 --> 00:49:32,396 You can't really test it out, can you? 960 00:49:33,312 --> 00:49:35,396 (DEFIBRILLATOR BEEPING) 961 00:49:36,855 --> 00:49:37,688 (GRUNTING) 962 00:49:37,896 --> 00:49:39,062 MJ BASSETT: Omair Idrisi is still alive. 963 00:49:39,062 --> 00:49:40,980 And he's being tortured for information. 964 00:49:40,980 --> 00:49:42,604 They take him to death, they resurrect him. 965 00:49:42,855 --> 00:49:44,396 They take him to death, they resurrect him. 966 00:49:44,396 --> 00:49:46,187 I thought that was a fascinating idea. 967 00:49:46,187 --> 00:49:47,896 Human body can only take so much. 968 00:49:47,896 --> 00:49:50,521 The notion that he could be freed, 969 00:49:50,521 --> 00:49:53,646 and the world would know that western forces have lied... 970 00:49:53,646 --> 00:49:54,896 Also the fact that he would bring 971 00:49:54,896 --> 00:49:56,730 the Jihadi organizations together, 972 00:49:56,730 --> 00:49:58,229 makes him very, very dangerous. 973 00:49:58,229 --> 00:49:59,688 We start again in an hour. 974 00:50:01,855 --> 00:50:04,021 DANIEL MACPHERSON: To work our way to Idrisi 975 00:50:04,021 --> 00:50:07,187 we have to go through a sewer and a series of tunnels 976 00:50:07,187 --> 00:50:08,563 and find our way through a grate 977 00:50:08,563 --> 00:50:10,646 into this black site in Poland. 978 00:50:10,896 --> 00:50:12,563 I actually get quite claustrophobic. 979 00:50:12,771 --> 00:50:15,354 And we were shooting in some of these underground tunnels, 980 00:50:15,354 --> 00:50:16,813 it was like a maze down there. 981 00:50:16,813 --> 00:50:19,438 -It's just dark-- -Dilapidated and-- 982 00:50:19,438 --> 00:50:20,938 -Damp-- -Eerie and-- 983 00:50:20,938 --> 00:50:22,771 -Cold-- -Spooky as hell. 984 00:50:22,771 --> 00:50:26,271 -And nine straight days. -It looks spectacular. 985 00:50:26,271 --> 00:50:28,021 Do I ever want to go back? No. 986 00:50:28,021 --> 00:50:29,062 (LAUGHS) 987 00:50:29,438 --> 00:50:30,813 Get down! 988 00:50:30,813 --> 00:50:33,604 We've got wounds all the time, and there's blood all over us, 989 00:50:33,604 --> 00:50:36,354 and there's dirt all over us and-- and it's fantastic. 990 00:50:36,354 --> 00:50:37,604 (GUNFIRE) 991 00:50:37,604 --> 00:50:39,813 Aren't you guys sick of us saving your asses? 992 00:50:39,813 --> 00:50:41,438 It's a running theme, isn't it? 993 00:50:41,438 --> 00:50:42,312 Highlight of my day. 994 00:50:42,521 --> 00:50:43,646 It wouldn't be a Strike Back episode 995 00:50:43,646 --> 00:50:44,938 without the girls coming to rescue us. 996 00:50:44,938 --> 00:50:48,104 Lots of kick-ass sequences, big explosions... 997 00:50:48,104 --> 00:50:49,104 Go! 998 00:50:49,104 --> 00:50:50,855 ALIN SUMARWATA: It does not stop. 999 00:50:51,813 --> 00:50:53,896 What comes to the foreground in our story 1000 00:50:53,896 --> 00:50:54,938 is Project Tenebrae. 1001 00:50:54,938 --> 00:50:57,146 Right now I am trying to protect Jensen. 1002 00:50:57,646 --> 00:51:00,813 No. Right now you are hiding something from me. 1003 00:51:00,813 --> 00:51:03,312 Donovan knows that she has to close this down. 1004 00:51:03,312 --> 00:51:04,354 I think I've cracked it. 1005 00:51:05,479 --> 00:51:08,146 The Section has got too close to finding the secrets 1006 00:51:08,146 --> 00:51:09,479 which is why poor Will Jensen 1007 00:51:09,479 --> 00:51:11,438 ends up with a plastic bag over his head. 1008 00:51:11,980 --> 00:51:13,271 -(GRUNTING) -Don't move. 1009 00:51:14,146 --> 00:51:15,312 Not cool, dude. 1010 00:51:15,312 --> 00:51:18,396 No one wanted that. No one wanted Jensen to die. 1011 00:51:18,396 --> 00:51:20,563 It's about her covering her own tracks. 1012 00:51:20,563 --> 00:51:22,312 Her trying to fix her own mistakes. 1013 00:51:22,312 --> 00:51:27,521 And, uh... that will all unravel as the series progresses. 1014 00:51:27,521 --> 00:51:32,521 DOWNLOADED FROM WWW.AWAFIM.TV 1015 00:51:27,521 --> 00:51:37,521 For latest movies and series with subtitles Visit WWW.AWAFIM.TV Today